Ajeeb Daastaans Hindi Movie Review & Rating 2021 Website

Ajeeb Daastaans review: Netflix sells the tale of curdled love, sex and dhoka | Entertainment News,The Indian Express

Ajeeb Daastaans Hindi Movie Review: Administrators- Shashank Khaitan, Raj Mehta, Neeraj Ghewan, Kayoz Iranian Artists- Fatima Sana Sheikh, Jaideep Ahlawat, Konkona Sen Sharma, Aditi Rao Hydari, Nusrat Bharucha, Abhishek Banerjee, Inayat Verma, Shefali Shah, Manav Kaul, Tota Roy Chaudhary and many others . Platforms – Netflix ‘Unusual Tales’ One

‘Ajeeb Daastaans’ is an anthology compilation the place 4 totally different tales include contingent conditions, via which uneasy emotions emerge inside scattered relationships. All 4 tales take the characters to a spot the place nobody had thought. These tales include jealousy, prejudice, recklessness, entitlement and poisoning. Additionally, these films have been profitable in creating surprises. The 4 films painting ladies in a number of layers, which provides them power and suspense. Particularly the films of Raj Mehta, Neeraj Ghewan and Kayoz Irani, ‘Toy’, ‘Gili Puchi’ and ‘Anakhi’ make this anthology fairly attention-grabbing. ‘Ajeeb Daastan’ is on the market for streaming on Netflix from 16 April 2021.

Ajeeb Daastaans Hindi Movie Review


The primary story is directed by Shashant Khaitan. Lipakshi (Fatima Sana Sheikh) and Bablu (Jaideep Ahlawat) are married {couples} whose marriage is a ‘wedding ceremony of alliance’. Bablu says as quickly as he enters the room- “If we liked another person, you’ll by no means be in love with you. Sorry, I can’t say as a result of each households have benefited from this marriage.

” Lipakshi stumbles for a second after which exasperates – “Why are all the boys of this nation?” From the very first scene, the director establishes that this marriage relationship will not be just for society, however the emotions will not be mere emotions. However Lipakshi will not be an intimidating, coerced or coerced lady. She desires a person in her life who she meets Raj (Armaan Rahlan), the son of Bablu’s driver. Raj and Lipakshi’s love story begins to flourish beneath Bablu’s nostril. Now, what’s the results of their love story and the way an important facet of Bablu’s life comes open within the meantime! It’s attention-grabbing to see.

The story of this movie is written by Shashank Khaitan, which is about half-hour. This story of damaged relationships and entangled feelings is mediocre or will be stated that there isn’t any newness. The characters are robust, however solely entice Jaideep Ahlawat by way of appearing. Fatima’s effort is sweet, however she will not be capable of carry the sensuality in her physique, which wants a narrative. Pushkar Singh’s cinematography is sweet and picks up the story a bit.

The Toys

The strongest of the 4 tales, which utterly manages to shock you. The director of the film is Raj Mehta. The story divides society into two lessons – one is Kothiwale .. and the opposite is Katiwale. In a single scene, Meenal (Nusrat Bharucha) complains to Sushil (Abhishek Banerjee) – “These kothis will not be near anybody.

” Sushil does the ironing work by organising a small store outdoors the society. Whereas Meenal works in one in all these kothis and places electrical energy on the electrical wires of the society and arranges electrical energy in her home. Some untoward incident occurs within the center when the three, Meenal, Binny and Sushil need to punish this ‘Kothiwale’. When, the place and what sort of punishment? You’ll tremble after seeing this.

Director Raj Mehta has saved tempo on this film a lot that it doesn’t enable to be bored even for a minute. The script of the film may be very tight, written by Sumit Saxena. The trio of Abhishek Banerjee, Inayat Verma and Nusrat have performed justice to their characters. Nusrat’s character has powerless, quick and intelligent, which the actress has performed nicely. The cinematography of Jishnu Bhattacharya is worthy of reward.

Moist Pucci

Directed by Neeraj Ghewan, the story tries to carry collectively a number of themes and the director has additionally been profitable to some extent. Konkona Sen Sharma and Aditi Rao Hydari are nice actors and the duo’s coming collectively add power and newness to the story. Bharti works as a machine-man within the Mandal (Konkona) manufacturing facility, the place she has been making an attempt to get the place of knowledge operator for a very long time. He has full religion in his skills.

She will get reward, however not the put up .. as a result of she comes from a ‘backward caste’. The manufacturing facility proprietor as an alternative joins a brand new lady, Priya Sharma (Aditi Rao Hydari). Each are reverse ladies from one another. The friendship ensues between the 2 after the preliminary altercation, after which the dialog progresses to friendship. However Priya is married and unwilling to consider that he’s homosexual. She calls it ‘illness’. She is sure by social guidelines and considering. Whereas Bharti goes via inconveniences on daily basis. She additionally breaks, however she is powerful.

The screenplay of the film is written by Neeraj Ghewan, via which he touches on matters like casteism and homosexuality. The writing of the film may be very regular, however the pace you need within the story in half an hour leaves someplace right here. There’s bitterness within the characters right here, however she doesn’t prick. All of the actors have performed justice to their character. Particularly Konkona Sen Sharma wins the guts. Siddharth Divan’s cinematography is gorgeous.


The fourth and closing film is director by Kayoz Irani. The only however the deepest to say. Natasha (Shefali Shah) and Rohan (Parrot Roy Choudhary) have a daughter, Adabara, who has a gradual listening to potential. Natasha teaches signal language to speak along with her however retains growing distance from Rohan’s daughter, busy along with her work. Not solely the daughter but in addition the connection between Natasha and Rohan is rather like a citadel of sand, which will be damaged at any time.

In such a state of affairs, Natasha meets a photographer (Manav Kaul), who can’t converse and listen to. Each converse in signal language. Within the first assembly, there’s a shut relationship between the 2. Steadily, the 2 spend a number of time with one another. However will Natasha dare to get away from the relationships and household she has constructed? Each Manav Kaul and Shefali Shah are very nicely forged of their roles. Regardless of not having any communication collectively, their phrases attain the guts. His facial expressions are good. Kayose has been very profitable in exhibiting the speculations of Iaini relationships. A good screenplay written by Uzma Khan makes this film robust.

The strongest facets of the film embrace route and character. Clearly among the many 4 tales, ‘Majnu’ is the weakest, which is the primary film. After that, the journey of three films passes like a quick practice. One attention-grabbing character after one other involves you, successful hearts, the tales startle you. Konkona Sen Sharma – Aditi Rao Hydari and Shefali Shah – Manav Kaul pair is excellent.

(Disclaimer: We doesn’t promote or help piracy of any form. Piracy is a felony offense beneath the Copyright Act of 1957. We additional request you to chorus from collaborating in or encouraging piracy of any kind.)

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